Unit 1: The Emergence of Ritual Music
Back in the Neolithic era, the ancient Sichuan people’s primitive music began to sprout up. The ancient Sichuan civilisation, well-preserved at the Sanxingdui Site and Jinsha Site, had its heyday during the period of Shang and Zhou Dynasties. Amidst clear bells and melodious stone chime music, the mystery of ritual music, used for sacrificial purposes in the ancient Shu Kingdom, is unveiled. Along with the composition of ceremonial melodies, a ritual and musical system gradually took shape in the early Zhou Dynasty. Under the influence of the Central Plains, bronze musical instruments achieved vigorous development in the ancient Shu Kingdom.
Unit 2: Eternal Joy in Music
The State of Qin annexed the ancient Shu Kingdom, with new vigour injected into the local economic development and cultural exchanges. During the Qin and Han Dynasties, Sichuan built irrigation works, exploited natural resources and set up traffic facilities on a large scale, making itself one of the most affluent and prosperous regions in China. Leading a leisurely life in such a vibrant land, the Sichuan people became increasingly optimistic and open-minded. The art of music and dance thus came into vogue among common people.
Unit 3: Elegant and Popular Music in Common Prosperity
During the Tang and the Five Dynasties, Sichuan, located near the western frontiers, insusceptible to the war that was plaguing the Central Plains, achieved varying degrees of development in politics, economy and culture. At that time, Sichuan was a place of cultural importance. Attracted by it, a great many literati, musicians and performers went there. Elegant music from the Central Plains got blended with music from the Western Regions there, with the art of music and dance achieving further development in Sichuan. During the Northern and Southern Song Dynasties, the urban economy developed further there, boosting the prosperity of folk musical dance. That was the time when court music and dance descended to the bustling folk world, resulting in a great transformation of the art form.
Unit 4 Great Convergence
During the Ming and Qing Dynasties, the opera art developed rapidly under the dual effect of immigration and commodity economy. As “people from other provinces immigrated into Sichuan”, the Sichuan Opera blended in with northern and southern singing tunes into a unique genre of opera. Melodious music, lifelike shadow puppets, beautiful bamboo melody and many other styles of opera art were thus deeply rooted in the folk world by virtue of smoke from teahouses and wine shops. Not only are they as solemn and elegant as court music, but they are as fresh and plain as folk music. Multi-ethnic melodies are intertwined, reverberating through this land of wonders from generation to generation.
Unit 1: The Emergence of Ritual Music
Back in the Neolithic era, the ancient Sichuan people’s primitive music began to sprout up. The ancient Sichuan civilisation, well-preserved at the Sanxingdui Site and Jinsha Site, had its heyday during the period of Shang and Zhou Dynasties. Amidst clear bells and melodious stone chime music, the mystery of ritual music, used for sacrificial purposes in the ancient Shu Kingdom, is unveiled. Along with the composition of ceremonial melodies, a ritual and musical system gradually took shape in the early Zhou Dynasty. Under the influence of the Central Plains, bronze musical instruments achieved vigorous development in the ancient Shu Kingdom.
Unit 2: Eternal Joy in Music
The State of Qin annexed the ancient Shu Kingdom, with new vigour injected into the local economic development and cultural exchanges. During the Qin and Han Dynasties, Sichuan built irrigation works, exploited natural resources and set up traffic facilities on a large scale, making itself one of the most affluent and prosperous regions in China. Leading a leisurely life in such a vibrant land, the Sichuan people became increasingly optimistic and open-minded. The art of music and dance thus came into vogue among common people.