Embrace the Spring: China NCPAO

Samuel Barber composed his first work at the age of 7. When he was ten, he played the organ at a local church. At 14, he was admitted into the Curtis Institute of Music because of his talents for composition and excellent piano skills. Barber was a shining star in the 20th-century world of music. Music critic Donal Henahan stated, "Probably no other American composer has ever enjoyed such early, such persistent and long-lasting acclaim."

Divertimento comes from the Italian word divertire. This secular orchestral music with an amusing, entertaining mood and a great variety of forms was very popular in the upper class in Mozart's time. In 1771, fifteen-year-old Wolfgang Amadeus Mozart traveled to Italy, the land of music, starting his second tour in Europe in the accompaniment of his father. The divertimento in E-flat major was composed in this year. The dedication in the manuscript was penned Wolfgang's father Leopold Mozart. Scholars guess that even a genius like Mozart needed some help from his father with his composition in the early years.

In 1787, Mozart composed the serenade in G major, K. 525, while he was working on the opera Don Giovanni in Vienna. Mozart was 31 at the time. It is the age when most people's careers start, but for the genius who composed his first work at the age of 8, this was the beginning of his later years. The composer called this piece, which was never published in Mozart's lifetime, "Eine kleine Nacht-Musik"—"a little night music." It later became one of the most popular compositions of Mozart. All the movements contain elegant, unforgettable melodies, which were perfectly suitable for the structure and form of the music. An additional minuet, originally for the second movement, was found in the composer's notes. Scholars point out that it might have been moved to another work.

Mozart was familiar with the genres of divertimento and serenade, as well as the forms of sonata and rondo, since his early age. He handles them freely and skillfully in his works. 

By Gao Jie

Lü Jia

The Chinese conductor Lü Jia has received great acclaim internationally. Born into a musical family in Shanghai, Lü began studying piano and cello at a very young age. He later studied conducting at the Central Conservatory of Music in Beijing, under the tutelage of esteemed conductor Zheng Xiaoying. At the age of 24, Lü entered the University of Arts in Berlin, where he continued his studies under Professor Hans-Martin Rabenstein and Robert Wolf. The following year, he was awarded both the First Prize and Jury’s Prize at the Antonio Pedeotti International Conducting Competition in Trento, Italy, and launched his career as a conductor.

Over the past decades, he has conducted over 2,000 orchestral concerts and opera performances in Europe and America, and became the first Asian conductor to serve as the artistic director of a major Italian opera house, as well as the first Chinese conductor to lead Chicago Symphony. He has worked with important productions at the Bayersiche Staatsoper in Munich, the Deutsche Oper Berlin and La Scala in Milan, as well as opera houses in Lausanne, Turin, Rome, Naples, Verona, Venice, Florence, Frankfurt and Stuggart. He has also worked with many renowned orchestras including the Royal Concertgebouw Orchestra, Chicago Symphony Orchestra, Gewandhaus Leipzig, Munich Philharmonic, Orchestra dell’ Accademia Nazionale di Santa Cecilia, City of Birmingham Symphony Orchestra, Royal Liverpool Philharmonic, Oslo Philharmonic, Lyon National Orchestra in France, Finnish Radio Symphony, Hamburg Radio Symphony, Bamberg Symphoniker, Sydney Symphony Orchestra and many others across Europe, America and Australia.

Lü Jia was the first Chinese conductor to record Felix Mendelssohn’s complete orchestral works, and also the only conductor so far who has recorded the complete works by the important Swedish composer Ingvar Lidholm. His interpretations of German Classical Romanticism and French Impressionists have been praised for their “extremely convincing musical interpretation" with "musical precision and perfect baton technique.” Having directed nearly 50 operas in Italy and Germany, homelands of the European opera tradition, he has also been praised by Italian music critics as “a conductor who understands Italian opera even better than the Italians themselves do”. In 2007, his performance of La Gazza Ladra at the Rossini Opera Festival in Pesaro was voted as European Opera Production of the Year. That same year, in recognition of his important contribution to musical culture in Italy, Lü Jia was awarded the President’s Prize by President Giorgio Napolitano. In 2012, the Domingo International Vocal Competition invited Lü Jia to serve on the jury, making him the Competition’s first-ever Chinese jury member.

In 2012, Lü Jia was appointed Chief Conductor and Artistic Director of Opera at the National Centre for the Performing Arts (NCPA) in Beijing China. Under his musical direction, NCPA's own productions of Lohengrin, The Flying Dutchman, Othello, La Nozze di Figaro, Un Ballo in Maschera, Tosca, and many other works, have received glowing reviews from the international press. With these brand new productions aspiring to high international standards, the NCPA has become a strong contender in the world of opera, and also launched an exciting new chapter in the history of professional opera productions in China. In the meantime, the NCPA Symphony Orchestra, under Lü's baton, has fast established itself as one of the leading new ensembles in the orchestral world in China, presenting impressive performances season after season.

In 2017, LÜ Jia has been appointed as Artistic Director of Music of National Centre for the Performing Arts (NCPA), Music Director and Chief Conductor of China NCPA Orchestra. Before taking up his current posts in Beijing, Lü served as Music Director at Verona Opera, Artistic Director at Symphony Orchestra of Tenerife, as well as Chief Conductor at Trieste Opera, Symphony Orchestra of Florence, Lazio Chamber Orchestra of Rome and Norrkopping Symphony Orchestra in Sweden. In addition to his NCPA music directorship, he is also currently the Music Director and Principal Conductor of Macao Orchestra.

China NCPA Orchestra is the resident orchestra of the National Centre for the Performing Arts (NCPA), Beijing. Since its founding in 2010, the orchestra has fast established itself as one of the most adventurous and dynamic orchestras in the country and earned an international reputation through extensive performances abroad. Numerous world-renowned artists have collaborated with the orchestra, including Lorin Maazel, Zubin Mehta, Valery Gergiev, Myung-Whun Chung, Christoph Eschenbach, Fabio Luisi, Vladimir Ashkenazy, Leif Segerstam, Gunter Herbig, Shao-Chia Lu, Xian Zhang, Rudolf Buchbinder, Stephen Kovacevich, Khatia Buniatishvili, Lang Lang, Yuja Wang, Haochen Zhang, Kyung-Wha Chung, Vadim Repin, Siqing Lu, NING Feng, Jian Wang, Gautier Capucon, Alison Balsom, Sabine Meyer, Placido Domingo, Leo Nucci, Renee Fleming among many others. Lorin Maazel worked closely with the orchestra before his passing and praised the musicians for their “amazing professionalism and great passion in music”. Christoph Eschenbach also declared it as “one of the finest orchestras in Asia”. Over the years, the orchestra has gained critical acclaim for its artistic excellence in both concerts and operas. To date they have played in over 60 NCPA opera productions, including classical repertoires such as Tristan and Isolde, Die Meistersinger von Nürnberg, Aida, Otello, Nabucco, Tosca, Turandot, The Marriage of Figaro, Don Giovanni, Eugene Onegin, and newly commissioned works Rickshaw Boy, The Long March, Fang Zhimin, The Jinsha River, Visitors on the Snow Mountain and The Dawns Here Are Quiet. Their live recording of The Ring without Words with its creator, Lorin Maazel, was released on SONY Music worldwide, the only recording the great maestro ever made with an orchestra from China. The orchestra has consistently offered creative and diverse programmes through its concert season. As part of its continuous efforts to promote contemporary music, the orchestra presented the China Premieres of major works by John Adams, Toru Takemitsu et al. and gave the World Premieres of dozens of substantial new orchestral works commissioned from composers across the globe, including Qigang Chen, Bright Sheng, ZHAO Jiping, Michael Gordon, Kalevi Aho, et al. It has also played a significant role in the NCPA's Young Composers Programme, providing a unique platform nurturing the next generation of composers in China. The orchestra has consistently offered creative and diverse programmes through its concert season. As part of its continuous efforts to promote contemporary music, the orchestra presented the China Premieres of major works by John Adams, Toru Takemitsu et al. and gave the World Premieres of dozens of substantial new orchestral works commissioned from composers across the globe, including Qigang Chen, Bright Sheng, ZHAO Jiping, Michael Gordon, Kalevi Aho, et al. It has also played a significant role in the NCPA's Young Composers Programme, providing a unique platform nurturing the next generation of composers in China. With its commitment to educational and outreach activities, the orchestra has presented a series of Weekend Matinee Concerts at its home venue, providing local audience specially selected programmes and accessible ticket prices. The orchestra also frequently initiates wide-reaching educational projects in association with educational institutions across the city. In this unpredictable 2020, the NCPAO led by the Music Director LÜ Jia has collaborated with LI Xincao, CHEN Lin, LI Biao, YANG Yang, ZHANG Yi, Siqing Lu, Haochen Zhang and many other artists in presenting online concert series over 5 months period. In November, the NCPAO announced its 2020-21 season after several rounds of adjustments. The new season sees the orchestra’s performances in operas including Fang Zhimin, Visitor on the Snow Mountain, LAN Huahua, and the premiere of the NCPA’s new production of Gianni Schicchi. In celebration of the 250th anniversary of Beethoven’s birth and the 160th anniversary of Mahler’s, Music Director LÜ Jia conducts the NCPAO in Egmont with actor SUN Qiang and a series of classic symphonies and chamber works of the two great composers. The 2020-2021 season features several Chinese artists’ debuts, among them YU Feng, ZHANG Jiemin, Jinxu Xiahou, Jianing Kong, Tianqi Du, and CHEN YUE. Highlights of the season also include the returns of ZHANG Guoyong, YUAN Ding, SONG Yuanming, Xuefei Yang, ZHANG Qiang, LI Jia, and David Wang. As the Composer-in-Focus, ZHAO Jiping’s music will be performed by the NCPAO throughout the season. In February 2012, LÜ Jia took up the post of Chief Conductor, succeeding Zuohuang Chen, NCPA’s then Artistic Director of Music as well as a founder of the orchestra. In January 2017, LÜ Jia started serving as NCPA's Artistic Director of Music and the NCPA Orchestra's Music Director.