Venue
Dates
Duration
Approximate 90 mins (Intermission Included)Programme
Conductor
Artist
Presenter
October 5th | |
Overture to The Magic Flute | Mozart |
Piano Concerto No. 2 | Chopin |
Symphony No. 8 | Dvorak |
October 6th | |
Prélude à l'après-midi d'un faune | Debussy |
Gymnopédie | Satie arr. Debussy |
Pavane | Ravel |
Daphnis et Chloé Suite No.2 | Ravel |
Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra and Music Director of the Konzerthaus and the Konzerthausorchester in Berlin. Recently he has been also active as a composer: his works have been performed in the US, Holland, Belgium, Hungary, Germany and Austria. He also staged successful opera performances, recently a Mozart cycle in Budapest and New York.
The 30 year-old partnership with the Budapest Festival Orchestra has become one of the greatest success stories of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world’s most visionary and successful orchestra leaders.
Both in Berlin and Budapest he has developed and introduced new types of concerts, 'cocoa-concerts' for young children, 'surprise' concerts where the programme is announced from the stage, 'public dress rehearsals' where he talks to the audience, open-air concerts attracting tens of thousands of people and 'staged concerts' combining concert and theatre. He has founded several festivals, including one composer marathons, the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions and the Bridging Europe Festival.
As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.
Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.
Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky's conducting class.
Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary's most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.
Dejan Lazić’s fresh interpretations of the repertoire have established him as one of the most unique and unusual soloists of his generation. He appears with such orchestras as the City of Birmingham Symphony Orchestra, NDR Sinfonieorchester Hamburg, Netherlands Philharmonic, Rotterdam Philharmonic, Budapest Festival Orchestra, Helsinki Philharmonic, Swedish Radio, Danish National, Chicago Symphony, Atlanta Symphony, and the Australian, Netherlands, and Basel Chamber Orchestras. Lazić enjoys a significant following in the Far East appearing with NHK Symphony, Yomiuri Nippon, Sapporo Symphony, Seoul Philharmonic and Hong Kong Philharmonic, amongst others. He has built close collaborations with some of today’s most sought after conductors including Giovanni Antonini, Lionel Bringuier, Iván Fischer, Andris Nelsons, Vasily Petrenko, Robert Spano, John Storgårds, Krzysztof Urbanski and Osmo Vänskä.
The 2016/17 season begins with Lazić’s debut with Boston Symphony at Tanglewood Festival, under Andris Nelsons. Return engagements include with Trondheim Symphony, Indianapolis Symphony, Helsingborgs Symphoniorkester, Konzerthausorchester Berlin, and a European tour with Budapest Festival Orchestra under Ivan Fischer. The collaboration with BFO will also take him to the Far East where he gives four concerts in China.
With Channel Classics he has released a dozen recordings, including his critically acclaimed Liaisons series; the latest of which couples together C.P.E. Bach and Britten. His live recording of Rachmaninov's Piano Concerto No. 2 with London Philharmonic Orchestra/Kirill Petrenko received the prestigious German Echo Klassik Award. A recording of the Beethoven Triple Concerto was also released to critical acclaim, for Sony Music. Lazić’s next release will be a solo recital disc of works by Franz Liszt, for Onyx Classics, appearing in spring 2017.
As a recital artist, Lazić appears at such venues as Wigmore Hall, Teatro Colon Buenos Aires and Melbourne Recital Centre. This season he will also give recitals at Gstaad Festival, in Germany and in the Far East.
Dejan Lazić’s compositions are receiving increased recognition, and he was recently signed as a composer by Sikorski Music Publishing Group. His arrangement of Brahms’ Violin Concerto as a piano concerto was premiered with the Atlanta Symphony Orchestra in 2009 and has enjoyed much ongoing success, at BBC Proms, Concertgebouw Amsterdam, Hamburg Easter Festival, Chopin Festival Warsaw, in both Americas and in Japan. Lazić has performed his ‘Piano Concerto in Istrian Style’ several times since its premiere in 2014. He will have his first orchestral work, a tone poem entitled ‘Mozart and Salieri’, premiered by Indianapolis Symphony and Krzysztof Urbanski in spring 2017.
Born into a musical family in Zagreb, Croatia, Lazić grew up in Salzburg, Austria, where he studied at the Mozarteum. He now lives in Amsterdam.
Born in Chengdu, China, Ning Feng studied at the Sichuan Conservatory of Music, the Hanns Eisler School of Music (Berlin) with Antje Weithaas and Royal Academy of Music (London) with Hu Kun, where he was the first student ever to be awarded 100% for his final recital. The recipient of prizes at the Hanover International, Queen Elisabeth and Yehudi Menuhin International violin competitions, Ning Feng was First Prize winner of the 2005 Michael Hill International Violin Competition (New Zealand), and in 2006 won first prize in the International Paganini Competition. Established at the highest level in China, Ning Feng performs regularly in his native country with both major international and local orchestras, in recital and with the Dragon Quartet which he founded in 2012. Now based in Berlin and enjoying a global career, Ning Feng has developed a reputation internationally as an artist of great lyricism and emotional transparency, displaying tremendous bravura and awe-inspiring technical accomplishment.
Highlights of Ning's 2014/15 season include debuts with the LA Philharmonic, Munich Symphony Orchestra, the Liszt and Berlin Konzerthaus Chamber orchestras, returns to the Auckland Philharmonia, Orchestra Sinfonica del Principado de Asturias, Macao Symphony and recitals and chamber performances in Seoul, Hong Kong and Brussels. He will also be soloist on two major tours, performing the Glazunov Concerto with the Royal Liverpool Philharmonic/Petrenko in Dublin and across China, and later in the season the Beethoven Concerto with the Hong Kong Philharmonic/Van Zweden across some of the major centres of Europe, including London, Zurich, Berlin and Vienna.
Recent successes for Ning have included performances of Bernstein's Serenade with the Berlin Konzerthaus Orchestra/Ivan Fischer as part of the Konzerthaus's Bernstein celebrations, a tour of China with the Budapest Festival Orchestra/Iván Fischer, performances with the Russian State Symphony, Orchestre National de Lyon, Orchestre Philharmonique de Strasbourg amongst others in halls such as Sydney Opera House, Moscow's Hall, Vienna Konzerthaus, Shanghai Oriental Arts Center and Beijing's NCPA. In recital and chamber music he has played in prestigious series and festival such as Vancouver Recital Series, Hong Kong International Chamber, Prague Spring, Menuhin Festival Gstaad and Schleswig-Holstein Festivals. And with Igor Levit he has perform across Germany, including at the Ludwigsburg and Mecklenburg Vorpommern Festivals, and also at the Kissinger Summer Festival where he performs every year and where he will be an Artist-in-Residence in 2014.
Ning Feng records for Channel Classics in the Netherlands and his debut concerto disc, featuring Bruch Scottish Fantasy and the Tchaikovsky Violin Concerto with Deutsches Symphonie-Orchester Berilin, was released in February 2014. Pizzicato magazine said, 'He impresses not only with his technical skill but also with a warm, inspired and consistently full and lyric tone, able to express great emotion', and Gramophone magazine wrote, 'The fast, high passages sound wonderfully clear and pure, and the first movement [of the Tchaikovsky], in particular, abounds in balletic grace.' He also recorded two discs of solo violin repertoire; one featuring sonatas by Bartók, Prokofiev and Hindemith, and the other virtuoso works by Paganini, Kreisler, Berio, Schnittke and others about which Audiophile Audition said: 'None of these works is anything less than enthralling, and a few approach the incandescent. Milstein's arrangement of the Paganiniana has never been bettered...this is an unqualified recommendation of a wonderful album that demonstrates the highest artistic and programming skills possible.'
Ning Feng plays a 1721 Stradivari violin, known as the 'MacMillan', on private loan, kindly arranged by Premiere Performances of Hong Kong.
Between 1992 and 2000, slowly extending their work to a full season, the ensemble operated under the aegis of the Budapest Municipality and the new BFO Foundation, formed by fifteen Hungarian and multinational corporations and banks. From the 2000/2001 season onwards the orchestra has been operated by the BFO Foundation, which the Budapest City Council regularly supports under a contract renewable every five years. In 2003 the Ministry of Cultural Heritage declared the orchestra a national institution supported by the state.
The Festival Orchestra is now a vital part of Budapest's music life (usually performing to capacity audiences) and also a frequent and much appreciated guest at some of the world's most important centres of musical excellence. Appearances include Salzburg (Summer Festival), Vienna (Musikverein, Konzerthaus), Lucerne (Festival), Montreux, Zürich (Tonhalle), New York (Carnegie Hall, Avery Fisher Hall), Chicago, Los Angeles (Hollywood Bowl), San Francisco, Montreal, Tokyo (Suntory Hall), Hong-Kong, Paris (Théatre des Champs-Elysées), Berlin, Munich , Frankfurt (Alte Oper), London (BBC Proms Festival, Barbican Centre, Royal Festival Hall), Florence (Maggio Musicale), Rome (Accademia di Santa Cecilia), Amsterdam (Concertgebouw), Madrid, Athens, Copenhagen, Prague (Prague Spring Festival), Brussels (Flamish Festival) and Buenos Aires (Teatro Colon), among others.
After having recorded on Hungaroton, Quintana, Teldec, Decca, Ponty and Berlin Classics, the orchestra signed an exclusive recording contract with Philips Classics in 1996. Its recording of Bartók's The Miraculous Mandarin received the Gramophone Award, while Diapason and Le Monde de la Musique chose it as their recording of the year. Recordings of Liszt's Faust Symphony and Bartók's Concerto for Orchestra were chosen among the year's five best orchestral discs by Gramophone. In 2003 the BFO signed a cooperation agreement with the label Channel Classics.
Numerous outstanding figures from the international music scene have performed with the orchestra including Sir Georg Solti (the orchestra's honorary guest conductor until his death), Yehudi Menuhin, Kurt Sanderling, Eliahu Inbal, Charles Dutoit, Gidon Kremer, Sándor Végh, András Schiff, Heinz Holliger, Agnes Baltsa, Ida Haendel, Martha Argerich, Hildegard Behrens, Yuri Bashmet, Rudolf Barshai, Kiri te Kanawa, Radu Lupu, Thomas Zehetmair, Vadim Repin, Helen Donath, Richard Goode and others.
Among the orchestra's more important projects, its opera productions have been widely acclaimed: The Magic Flute (Budapest), Cosi fan tutte (Athens), Idomeneo (Budapest/Athens), Orfeo ed Euridice (Budapest/Brussesl), Un Turco in Italia (Paris), the cycle of works marking the 50th anniversary of Bartók's death (Budapest/Brussels/Cologne/Paris/New York), the cycle of Mahler symphonies over several years (Budapest/Lisbon/Frankfurt/Vienna), the series of performances for the centenary of Brahms' death, a Bartók-Stravinsky cycle (Edinburgh/London/San Francisco/New York) and a Liszt-Wagner cycle in January 2004 (Budapest/Bruxelles/London). In 2005 the orchestra launched its annual Budapest Mahlerfest.
Ever since its foundation 31 years ago, the BFO's Music Director has been Iván Fischer.
Box officeNorth Gate of NCPA, No. 2 West Chang'an Avenue, Xicheng District, Beijing, China
Tickets collection hours9:30-19:30 (CST) on performance day
9:30-18:00 (CST) for days without performance
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Booking hours9:30-18:00 (CST) Monday to Friday
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Dedicated to the staging of epic operas, ballets and dance dramas, the golden Opera House is considered the centerpiece of the NCPA. Its main tone is golden color, which looks glamorous and splendid. In the auditorium are the stalls and three higher levels of balconies, which can seat an audience of 2,207, including the venue of SRO. It is equipped with a modern stage that can be moved up/down/backward/forward or rotated, a ballet stage that can slant, and a rising orchestra pit for the triple winds orchestra. All the cutting-edge staging mechanism provides artists with enormous possibilities of creative performance.
Dedicated to the staging of epic operas, ballets and dance dramas, the golden Opera House is considered the centerpiece of the NCPA. Its main tone is golden color, which looks glamorous and splendid. In the auditorium are the stalls and three higher levels of balconies, which can seat an audience of 2,207, including the venue of SRO. It is equipped with a modern stage that can be moved up/down/backward/forward or rotated, a ballet stage that can slant, and a rising orchestra pit for the triple winds orchestra. All the cutting-edge staging mechanism provides artists with enormous possibilities of creative performance.