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WANG Peiyu
WANG Peiyu, a famous Peking Opera artist, is an elderly male role player with Yu’s performing style. She is a graduate of China’s Third Post-graduate Courses for Outstanding Young Actors of the National Academy of Chinese Theatre Arts. Now she is a national first-class actress of the Shanghai Jingju Theatre Company, deputy to the 15th Shanghai Municipal People’s Congress, Vice Chairman of the 12th Shanghai Federation of Youth, and member of the 15th Executive Committee of the Shanghai Women’s Federation.
WANG Peiyu used to study under famous Peking Opera artists including WANG Siji, ZHU Bingqian, TAN Yuanshou, LI Xixiang, and ZHANG Xuejin. With her plain, meaningful voice and handsome, gentle appearance in costume and makeup, WANG Peiyu is a grandmaster in both singing, speaking, acting and acrobatics. Becoming famous at a young age, she is the backbone of Peking Opera today. WANG Peiyu has received prizes including the Best Performance Award in the National TV Competition for Young Peking Opera Actors, the Plum Blossom Prize and the Magnolia Award for Best Actress; she has won honourary titles such as the 2013 Shanghai Leading Talents, the China’s Top Ten Cultural Celebrities of 2015, the Intangible Cultural Heritage Inheritor of Shanghai, the Outstanding Expert of the Ministry of Culture, the Shanghai March 8th Woman Red-Banner Pacesetter of 2018, the 2018 Education Newsmaker of the Year of Shanghai, the National Woman Red-Banner Pacesetter of 2019, and the Chinese Intangible Cultural Heritage Inheritor of the Year in 2019.
WANG Peiyu often performs in Wenzhao Pass, Ma Su’s Loss of Jieting • The Empty Fort Stategy • Executing MA SU for His Misconduct, Guarding the Nation• Visiting the Royal Tomb• Entering the Palace for the Second Time, Beating a Drum to Curse CAO Cao, The Fourth Son of the Yang Family Visits His Mother, Hongyang Cave, Zhulian Village, Wujiapo, Rescuing the Orphan of Zhao, Imperial Stele Pavilion, Cinnabar Mole, Seeing the Son Off at the Mulberry Garden, Storytelling with a Broken Arm, Assassinating TANG Qin,Asking the Woodman and Seeking for Wife• Truth in the Box, Exchanging Sons on the Execution Ground, Farewell Dinner on Sandy Bridge, General and Premier Make Up, Fisherman’s Revenge, The Battle of Taiping, The Prince and the Showgirl, The Fenhe Bay, Famen Temple, etc., as well as the ink-painting version of The Orphan of ZHAO, cross-over opera Wentuhui, original stage play Redress a Grievance, new production featuring a mixture of Peking Opera and Kunqu Opera River Crossing in Spring, etc.
WANG Peiyu insists on inheriting the traditional operas. She has arranged and rearranged more than 20 lost operas in her “YU-Style” Traditional Peking Opera Performance and established some performing arts brands including WANG Peiyu Peking Opera Qinyinhui(a unique performance mode featuring the combination of Peking opera and live interaction), making outstanding contributions to the inheritance and development of Peking Opera. On the basis of professionalization, she keeps trying to spread and popularise Peking Opera through various platforms and channels in many ways popular with contemporary young people. For instance, she has given a lecture on guidance for Peking Opera appreciation - WANG Peiyu’s Peking Opera Class, and given about 500 lectures in major Chinese universities and cultural institutions. In addition, she has launched 100 lessons entitled Peking Opera is a great fun on Himalaya FM, filling the gap of lacking pay-per-listen traditional operas. These lessons have been listened to for more than four million times. She has also launched a series of courses for the popularisation of Peking Opera, such as watching mountains at city gate tower: WANG Peiyu takes you to Peking Opera, Wang Peiyu- see you on the stage, appreciation of WANG Peiyu’s Peking Opera, etc., on various platforms such as vistopia.com.cn, iQiyi.com and dayuclass.com. Besides, she has uploaded videos entitled WANG Peiyu Teaches You Peking Opera, Understanding Peking Opera in Seconds, Anecdotes of Pear Garden, and You Pick, I Read on short video platforms such as Bilibili, TikTok and Xiaohongshu. She has appeared on highly popular entertainment programmes including Who Can Who Up, Readers, King Cross, Day Day Up, First Class Begins, Everlasting Classics, The Round Table, Roast, National Treasure, Singer, Bravo Youngsters, Flowing Singing Sound, Going Crazy for Songs, Opera-Universe, Creating My Opera Masterpiece, etc.
Since 2018, the Yuyin Club, founded by WANG Peiyu, has successively launched a Peking Opera education programme and set up a high-quality team of young Peking Opera teachers, who have taught more than 5,000 students in over 40 primary and secondary schools across ten districts of Shanghai. These teachers have also independently developed and published the first set of Peking Opera general textbooks for teenagers in China. More and more people who did not know they would like Peking Opera have entered the theatre and begun to explore the wonderful world of Peking Opera. Since 2021, WANG Peiyu and her Yuyin Club have spared no effort to launch the Peking Opera Class programme for children aged 5-10. The programme is designed to inherit the traditional professional ethics and create a systematic, comprehensive, diversified and delightful Peking Opera classroom in accordance with the modern education system to cultivate future successors for the Peking Opera art.
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TIAN Hui
TIAN Hui is a national first-class actress and MEI-style leading female role player at the Shanghai Jingju Theatre Company. She was a disciple of Mr. MEI Baojiu, a Peking Opera artist of the MEI School. Also, she used to study under SHEN Qiliang, LU Yiping, XIA Huihua, LI Bingshu, LI Yufu, LI Yufang, LI Guocui, MA Xiaoman, and YANG Chunxia. TIAN Hui formed ties with Peking Opera in her childhood. Being dedicated to inheritance and self-cultivation, she studies assiduously the MEI-style Peking Opera art. With a clear, sweet voice and elegant temperament, she plays a leading female role in a graceful manner. TIAN Hui digs into the Peking Opera, achieving continuous growth in terms of her professional ability. She has won prizes including the “Silver Award” in the Seventh National TV Competition for Young Peking Artists, the “Excellent Performance Award” in the Sixth National TV Competition for Young Peking Artists, the “Screen Award” in the Fifth National TV Competition for Young Peking Artists, and the title of “Golden Red Plum” in the Chinese Traditional Opera Competition.
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WANG Yue
WANG Yue is a national first-class actor at the National Peking Opera Company. He is good at playing a QIU-style face-painted role with copper hammers in his hands. He holds a master’s degree from the Hebei Academy of Fine Arts and used to study at the “Graduate Class for Young Peking Opera Artists” by the National Academy of Chinese Theatre Arts. He is a member of the China Democratic League. WANG Yue used to study under famous Peking Opera artists including DOU Guoqi, HE Tan, GUO Tieniu, GENG Wenchao, and LI Xin. He is a disciple of LI Changchun, an inheritor of the QIU-style art. WANG Yue is skilled at acting in Five Dragons Subdued, Saving the Nation, Visiting the Imperial Mausoleum, Second Visit to the Empress, Chisang Town, The Case of CHEN Shimei, General and Premier Make Up, Meeting the Empress·Beating The Emperor’s Robe, YAO Qi, Beheading the Judge with a Fodder Chopper, The Capture and Release of General CAO, Duanmijian, LI Kui Visits His Mother, Stealing Imperial Horse, and Panic in the Han Palace; newly-produced historical operas The Purple Robe, CHEN Tingjing, Sacred Mount Wutai, Red Cliff, and Ming Dynasty City Wall; newly-produced modern Peking operas The Xi’an Incident, The Daughter of the Party, and Footprint.