How can a single spark start a prairie fire?
Seventy-five years ago, Shanghai sees many far-sighted persons, who are from the film industry, gather at Kunlun Pictures. Faced with the old society, which is nearing collapse, they look forward to a new dawn arising. Each filmmaker holds an expectation for a brighte future for China, and like “sparks”, their expectations converge and give birth to the Crows and Sparrows, a classic in Chinese film history.
The Shikumen-style building structure, one with a stony doorframe, serves as a metaphor for social stratification in the film, with characters from all walks of life depicted so vividly. Very small in themselves, they crowd together like “sparks” that ignite a prairie fire, defeating the evil crows and ushering in a brand new life.
In 2024, a year marking the 75th Anniversary of the Founding of the PRC, we reflect on classics in search of a novel idea for film adaptation. A dual-line narrative approach gets adopted to provide a panoramic view of China and the Chinese people on key historical nodes - times before and after the founding of the People’s Republic of China.
The story unfolds in two dimensions - horizontally and vertically. Horizontally, the original merit is amplified that different social classes are described in a candid manner, with the drama corresponding with Chairman MAO Zedong’s Analysis of the Classes in Chinese Society and all lifelike “sparks” brought together in Shikumen. Vertically, the drama features the true, hard creative process undergone by the filmmakers at that time, enabling the audience to see how the film predecessors pass down the power of the “sparks” and succeed in creating a timeless classic. The modern expression of a classic meets the modern aesthetic standard. With videos blended into a theatrical narration, the drama expands the formal boundary between film montage and stage narrative.
Presenter: National Centre of Performing Arts
Producer: National Centre of Performing Arts
Performed by National Centre of Performing Arts
Executive Presenter: WANG Ning
Chief Producers: LI Zhixiang, LIU Lan, ZHU Jing, WANG Cheng, ZHANG Yao, GUAN Jianbo, MA Rongguo, LI Jin
Artistic Director: XU Xiaozhong
Executive Producer: ZHANG Yao
Adapted from film Crows and Sparrows
Playwrights: HUANG Ying, PENG Zeling
Stage Director: HUANG Ying
Set Designer: ZHANG Kunpeng
Lighting Designer: HAN Dong
Video Projection Designer: HE Sisi
Costume Designer: NING Fangguo
Make-up & Hair Style Designer: LIN Ying
Props Designer: WANG Weijun
Composers: ZHANG Xiao, WANG Zixiao
Sound Designer: ZHAO Lijie
Photograph Coach: AI Yingyue
Cast
Little Announcer/ Mr. XIAO: DONG Wenliang
Mrs. XIAO: YANG Qi
Mr. HUA: GUO Shuojie
Mrs. HUA: XU Zixuan
Old Man KONG: QU Ning
Little Sister: WANG Wenjie
Section Chief HOU: SUN Lishi
YU Xiaoying: DIAO Qianyun
Director/ Doctor/ Common Person in Gold Run: FENG Yang
Playwright/ Caretaker Mr. WEI/ Boy Student A/ Common Person in Gold Run: LANG Yingbo
Photographer/ Teacher A/ Common Person in Gold Run: YAO Yu
Fine Arts/ Teacher B/ Common Person in Gold Run: ZHANG Xuewen
Censor/ Man A under Headmaster/ Gangster B/ Company Employee/ Common Person in Gold Run/ Customer: LI Ganwei
Girl Student/ Female Guest/ Newsboy/ Company Employee/ Common Person in Gold Run/ Female Clerk: ZHANG Qiao
Hatchet Man B/ Man B under Headmaster/ Company Employee/ Common Person in Gold Run: LI Haoyang
Headmaster/ Hatchet Man A/ Gangster A/ Company Employee/ Common Person in Gold Run: MA Qinglong
Production Manager/ Boy Student B/ Common Person in Gold Run: XING Kaicheng
Girl Student: XU Yangling
The drama Crows and Sparrows is the NCPA’s second adaptation of a classic Chinese film following the drama Crossroads. The drama begins with a group of far-sighted personages criticising the current malpractice and discussing on how to write a script at Kunlun Pictures. Gradually, they make up an outline of the story Crows and Sparrows. Before the liberation of Shanghai in the last century, the Shikumen apartment is inhabited by Section Chief HOU of Kuomintang Secret Service and his lover YU Xiaoying who are at the top floor, first floor by Mr. HUA, a teacher and his wife Mrs. HUA, ground floor by Mr. XIAO, a businessman, and his wife, narrow back room by Old Man KONG, the former owner, and staircase by the maidservant, Little Sister. Owing to the unfavourable times, Section Chief HOU decides to run off in a great panic. As for the ownership of the house, the lodgers have their own concerns at first, but after suffering enough from oppression, they come to the end of their endurance and begin to unite in a joint struggle. Strongly typical of what is known as the civil life, Crows and Sparrows has a profound meaning, which is hidden in the depiction of the citizens’ daily life - These lodgers, differing from one another, correspond to different social classes, while the building layout of Shikumen is a metaphor for the relationships between these classes. Skillfully, two storylines, one in the drama and the other out, have been designed for the drama. They unfold in two dimensions - vertically and horizontally. Facing the old society on the point of collapse, the filmmakers, who are full of longing for the dawn, and the vivid characters in their camera lenses, videoed in Shimumen, are “sparks” in the torrent of the times. Crowding together, the sparks turn into a prairie fire, and this is the theme of the adaptation – “Sparks” here represent the filmmakers of Kunlun Pictures, schoolteacher Mr. and Mrs. HUA, Mr. KONG, an old man of letter, and common citizens of Shanghai including those who are involved in the Gold Run or receive grain from the government. Powered by the satire and criticism crafted for the drama Crows and Sparrows, the “sparks” converge into a united force that is already a prairie fire now.
Having launched some films including Spring River Flows East, Eight Thousand Li of Cloud and Moon, etc., Kunlun Pictures, the most important progressive film base in Shanghai, gathers CHEN Baichen, SHEN Fu, ZHAO Dan, WANG Lingu and XU Tao together before liberation in 1949 to write a script, which is then made into a spoof comedy, Crows and Sparrows, by Director ZHENG Junli. The film Crow and Sparrow, as its name suggests, takes advantage of trivia to explain major principles. In this context, the story unfolds with a civil life that people lead in Shikumen, Old Shanghai. An exquisite design, themed integration of family and nation, is used to visualise the true features of people in all stations of life of that time, the Kuomintang’s struggle against downfall and the masses’ cry of despair. The criticism is amazing in terms of both intensity and depth. After the founding of the PRC, the film Crow and Sparrow won the First Prize for Excellent Feature Film by the Ministry of Culture of the PRC.
The stage adaptation is also owed to the original copyright owners including CHEN Hong, ZHAO Zuo, XU Weiguang and ZHAO Dali.