Previous stage photo
Photographer: WANG Kai
Stan Lai’s 40
th work,
River/Cloud, is a continuation of the love story between JIANG Binliu and YUN Zhifan in
Secret Love in Peach Blossom Land. The drama, which unfolds in the form of letter shuttlecocking, depicts how they wait or fail to receive a letter from each other over a long period of 40 years, and what they experience in their daily lives. It boasts a narrative structure across time and space, built out of stacked words and philosophical scenes by Stan Lai. Like a story told by a bard, the drama will be presented to the audience as a theatrical work of emotional depth and artistic beauty.
The stage setting for
River/Cloud is partitioned like a “memory box”. According to the set designer, Daniel Ostling, this will help to vividly present how the characters spend four decades in their respective lives, revealing the turbulent fate of an entire generation. Brigitte Lin and Ismene Ting, who starred in
Secret Love in Peach Blossom Land, have also contributed to this drama by writing letters for the characters at different stages to enhance the metanarrative power and literary aesthetics.
Previous stage photo
Photographer: WANG Kai
Thirty-five years after the premiere of Secret Love in Peach Blossom Land, Stan Lai took up his pen and wrote this sequel. For the work written 35 years ago, he likens it to a sketch where there are blank spaces, in which River/Cloud is created, that is, the love story between JIANG Binliu and YUN Zhifan is depicted with more delicate and rich brushstrokes. This work not only is a supplement to the story of the two protagonists, but also offers a profound reflection on life and the times.
In 2026, River/Cloud will be presented by Chang Chen, a specially invited famous actor, and Ai Hsiao, a “theatre diva” who started playing the role of YUN Zhifan in 1991. Ara Kimbo, the father of Taiwan, China folk music, will sing live on the stage, with a unique “land of idyllic beauty” to form in his nostalgic music. After a lapse of nearly four decades, Stan Lai has composed another theatrical epic, offering his own answer to the question - “Have you ever thought of me in these years?”, with a lost era inscribed on the stage.
Previous stage photo
Photographer: WANG Kai
Playwright/Director: Stan Lai
Some characters are from Secret Love in Peach Blossom Land, which is copyrighted by Stan Lai and Lichun Lee
Letter Writers: Brigitte Lin, Ismene Ting
Dramaturg: Shih-Chieh King
Starring Cast: Chang Chen, Ai Hsiao
GU Xuewei, LI Furong, FENG Li, SI Wen, MA Jingwen
YUAN Xinli, Ethan Wei, WENG Quanwei, CHEN Guohui
Guest Actor: Ara Kimbo
Set Designer: Daniel Ostling
Lighting Designer: Chien Lee Zen
Costume Designers: Ray Fang, WENG Bangfeng
Video Projection Designer: WANG Yisheng
Dance Designer: Wei-Chia Su
Graphic Designer: CHEN Junyan
Music Director: Stan Lai
Theme Music (River and Cloud Tango) Composer: Stan Lai
Arranger: John Vaughan
Executive Producer: Nai-chu Ting
National Host: Theatre Above
Presenters: Theatre Above, Performance Workshop Creative Co., Ltd.
*Please purchase tickets through authorized channels to avoid counterfeiting. Before completing your purchase, please verify the performance date, time, venue, and seat number carefully. Performance tickets are time-sensitive and limited in availability. Once a transaction has been completed, tickets are non-exchangeable, non-refundable and cannot be reissued if lost. Please double-check all ticketing details and securely retain your physical ticket or electronic order. If you are unable to attend due to personal reasons, please make your own arrangements regarding the use of your tickets. We appreciate your understanding as any inconvenience caused.
*The cast, programme, or other performance details are subject to change and shall be based on the live performance. In the event of major adjustments - such as changes to the performance date or lead cast - please refer to the official announcements issued by the NCPA and follow the relevant procedures as instructed.
*The NCPA opens 90 minutes before performances, and 60 minutes before art education lectures and similar events. Auditorium entry begins 45 minutes before performances. For all performances and events, the Northern entrance serves as the sole public entrance. Please ensure that ticket scanning and security screening are completed prior to entry, and allow sufficient time to avoid delays.
*Tickets must be retained in their original, intact condition. Admission will be denied for tickets lacking a stub, or bearing any alterations, obscured information, or defacement. Each ticket is valid for a single entry on the date of the performance. For certain performances, presentation of original valid identification documents is required. Admission will be granted only when the ticket information corresponds with the presented identification.
*Recommended admission height: 1.2 meters and above. Special provisions may apply to certain performances or events, as indicated on the corresponding ticketing page.
*All attendees are required to undergo security screening upon entry. Smoking and open flames are strictly prohibited within the NCPA premises. Prohibited items include, but not limited to, firearms and replicas, controlled knives, flammable or explosive substances, toxic or hazardous materials, corrosive substances, and radioactive materials. Any prohibited items discovered will be handed over to public security authorities.
*For safety and hygiene reasons, the NCPA does not provide storage services for food, beverages, or similar items. The following items are not permitted inside the NCPA: food and drinks, flags & banners, electronic cigarettes, power banks exceeding 20000mAh, flowers, recording or photography equipment, and oversized luggage.
*Attendees are requested to address appropriately. Admissions will be denied to individuals who are improperly attired or under the influence of alcohol.
*If you are late, please wait quietly in the audience waiting area. Entry will be permitted under the guidance of ushers during appropriate intermissions or between movements, and you are requested to take the nearest available seat with minimal disturbance. For concerts consisting of a single piece - either for the entire performance or a complete half - late arrivals and audience who leave midway will not be admitted.
*All attendees are requested to observe proper performance etiquette. Please keep quiet and remain seated throughout the entire performance. Mobile phones should be turned off or set to silent mode, and calls should not be made in the auditorium. Photography, audio, or video recording of the performance is strictly prohibited without prior permission. The use of flashlights, including phone flashlights, is not allowed.
* After the performance, please exit the auditoriums in an orderly manner. Loitering is discouraged.