Produced and staged by the National Theatre of China, with GUO Baochang and LI Xinling as the directors and LIU Shen as the playwright, the drama
The Grand Mansion Gate is adapted from the TV series
The Grand Mansion Gate, which consists of more than 70 episodes. The stage version, which is two hours and a half long, depicts how the BAI family rises and falls during almost a century from the early years of the Guangxu reign till the founding of the P.R.C.
The TV series presents a panoramic picture of the general historical background. By contrast, the drama stays closer to the theme of “The Grand Mansion Gate”. With “Seventh Master” BAI Jingqi as the core, it reveals all the joys and sorrows of people living within the Grand Mansion. The story begins with a “time-crossing conversation” between the elderly BAI Jingqi on night patrol and his younger self. During the interludes, director GUO Baochang talks about the history of this family. He shares the most classic plot devices and most distinctive characters one by one. This helps to immerse the audience in the touching story of the BAI family that takes place in the Herb Hall, where they “behave in good conscience with their hearts laid bare to heaven”. Since its premiere in 2013, the drama
The Grand Mansion Gate has been highly praised everywhere it’s staged, with tickets sold out soon each time.
From the Director
It's not easy to distil a 70-episode TV series into a two-and-a-half-hour drama. The playwright LIU Shen has taken three years and revised five times to bring the drama on stage. The public love The Grand Mansion Gate, so I’m convinced they will come to the theatre no matter how the drama is directed. I have been enjoying the extraordinary enthusiasm of the audience for ten years. Last year, when I was filming in Hengdian, a young man paid a surprise visit to me. He said, “I’ve driven all the way from Shanghai to tell you that I’ve just got a son. My surname is BAI, and I named him BAI Jingqi (hero of The Grand Mansion Gate).” After saying this, he hurriedly drove back to Shanghai.
I would like to take this opportunity to express my sincere gratitude to all of those who have supported and loved The Grand Mansion Gate. You have given me so much warmth that I am deeply touched. I hope the drama The Grand Mansion Gate will bring new delight to all of you.
Creative
Presenter: TIAN Qinxin
Chief Executive Producer: GONG Baojiang
Executive Producers: BAI Xuefeng, CHENG Peng
Playwright: LIU Shen
Directors: GUO Baochang, LI Xinling
Revival Directors: BAI Haotian, LI Ren
Executive Director: LI Jianpeng
Composer: ZHAO Jiping
Set Designer: XUE Dianjie
Lighting Designers: XING Xin, WANG Qi
Costume Designer: FANG Weiguo
Make-up Designer: LIU Yang
Sound Designer: CHEN Bing
Props Designer: DANG Xianyi
Performance Director: LIU Peiqi
Stage Supervisor: JIANG Xueting
Technical Manager: ZHANG Xinhe
Performance Coordinators: YANG Shuai, LI Jing, WANG Mian
Promotion Coordinator: LIU Yingqian
Cast Coordinator: LI Yuehao
Set Coordinator: JIANG Yumeng
Cast
BAI Jingqi: WU Yue / WANG Xin
HUANG Chun / YANG Jiuhong / LI Xiangxiu: CHANG Yuhong
BAI Wenshi: ZHAO Rui
BAI Yingyu: LIU Peiqi / ZHANG Shuo
WANG Xiguang: LIU Mumei / MI Xuedong
BAI Yuting: CHEN Ying / WU Zhen
BAI Jiali: XIA Meng
BAI Jingye: XUE Fei / SHI Guanghui
DONG Daxing: HAN Minghao
Boss DUAN: LI Jianpeng
BAI Jingqi, in his 80s, hobbles around the courtyard of the mansion with a lantern in his hand, doing a routine inspection that he has been performing for decades. The Baicaoting Pharmacy established by his ancestors has flourished under his endeanvours is facing disintegration, and the family children are clamouring for a share of the property. He is overwhelmed by mixed feelings. The old man’s thoughts wander back to his youth, recalling the hardships he faced in preserving his family’s business and the women he loved.
Amid his struggles against the Japanese invaders, traitors and Kuomintang officials, he demonstrates the courage and righteousness of a genuine Chinese. He has upheld the integrity of Chinese businessmen by setting fire to counterfeit medicines. He holds a deep affection for his mother and daughter, and he is the one who stands up for his infatuated sister’s marriage. He was in love with HUANG Chun, an illegitimate daughter of his enemy’s family, then he passionately chased YANG Jiuhong, a woman from a miserable background, and later, he even tried to marry the poor girl LI Xiangxiu against all odds. He is a man who has broken through feudal moral values and family rules, demonstrating his charming and unconventional character.
The drama The Grand Mansion Gate tells a legendary story in the intersection of history and reality, where enmity, life and death, love and hatred are presented, leaving the audience spellbound and pondering for more.
*Please purchase tickets through authorized channels to avoid counterfeiting. Before completing your purchase, please verify the performance date, time, venue, and seat number carefully. Performance tickets are time-sensitive and limited in availability. Once a transaction has been completed, tickets are non-exchangeable, non-refundable and cannot be reissued if lost. Please double-check all ticketing details and securely retain your physical ticket or electronic order. If you are unable to attend due to personal reasons, please make your own arrangements regarding the use of your tickets. We appreciate your understanding as any inconvenience caused.
*The cast, programme, or other performance details are subject to change and shall be based on the live performance. In the event of major adjustments - such as changes to the performance date or lead cast - please refer to the official announcements issued by the NCPA and follow the relevant procedures as instructed.
*The NCPA opens 90 minutes before performances, and 60 minutes before art education lectures and similar events. Auditorium entry begins 45 minutes before performances. For all performances and events, the Northern entrance serves as the sole public entrance. Please ensure that ticket scanning and security screening are completed prior to entry, and allow sufficient time to avoid delays.
*Tickets must be retained in their original, intact condition. Admission will be denied for tickets lacking a stub, or bearing any alterations, obscured information, or defacement. Each ticket is valid for a single entry on the date of the performance. For certain performances, presentation of original valid identification documents is required. Admission will be granted only when the ticket information corresponds with the presented identification.
*Recommended admission height: 1.2 meters and above. Special provisions may apply to certain performances or events, as indicated on the corresponding ticketing page.
*All attendees are required to undergo security screening upon entry. Smoking and open flames are strictly prohibited within the NCPA premises. Prohibited items include, but not limited to, firearms and replicas, controlled knives, flammable or explosive substances, toxic or hazardous materials, corrosive substances, and radioactive materials. Any prohibited items discovered will be handed over to public security authorities.
*For safety and hygiene reasons, the NCPA does not provide storage services for food, beverages, or similar items. The following items are not permitted inside the NCPA: food and drinks, flags & banners, electronic cigarettes, power banks exceeding 20000mAh, flowers, recording or photography equipment, and oversized luggage.
*Attendees are requested to address appropriately. Admissions will be denied to individuals who are improperly attired or under the influence of alcohol.
*If you are late, please wait quietly in the audience waiting area. Entry will be permitted under the guidance of ushers during appropriate intermissions or between movements, and you are requested to take the nearest available seat with minimal disturbance. For concerts consisting of a single piece - either for the entire performance or a complete half - late arrivals and audience who leave midway will not be admitted.
*All attendees are requested to observe proper performance etiquette. Please keep quiet and remain seated throughout the entire performance. Mobile phones should be turned off or set to silent mode, and calls should not be made in the auditorium. Photography, audio, or video recording of the performance is strictly prohibited without prior permission. The use of flashlights, including phone flashlights, is not allowed.
* After the performance, please exit the auditoriums in an orderly manner. Loitering is discouraged.
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