The drama is adapted from The Annoyance of the Gods, a novel of the same title by MA Boyong, one of the most influential contemporary Chinese historical novelists. In this best-selling masterpiece, over one million copies sold already, the story of the Journey to the West is reconstructed from a contemporary perspective, with all asperities of work and life confronting modern people written into the 81 ordeals. Despite his endless clever tricks, the protagonist, Gold Star of Venus, often can’t escape falling into anxiety… The “heavenly rules” mirror a “real world”, and when reading the story, every adult can see himself or herself at work.
Original Author: MA Boyong
Executive Presenters: LI Jie, HAN Jiang, MA Chencheng
Co-Executive Presenters: LIU Tianchi, LYU Chao
Planners: HE Mi, YOU Jia, TAO Cui
Executive Producers: LI Jing, WANG Yuanyuan, MAO Jiamin, LI Mei, CHEN Zhaoling, ZHOU Xingwen
Managing Producer: HAN Jiang
Co-Managing Producers: FANG Xue, SHEN Zekai
Director: LIU Tianchi
Set Designer: HAN Jiang
Composer: CHENG Chi
Choreographer & Movement Director: QIN Ziqian
Lighting Designer: CHEN Xiaji
Costume & Hair Style Designer: WANG Ting
Sound Effects & Sound Designer: DU Siliang
Props Designer: WANG Zhenyu
Deputy Stage Director: LIU Xingyang
Stage Manager: CUI Meng
Assistant Set Designer: LI Jun
Assistant Lighting Designer: LI Meng
Casting
Yang Troupe
Special Thanks
Title Inscriber: ZU Feng
Presenters
Damai Performance, SMG Live, Beijing Repertory Theater
Co-Presenters
LIU Tianchi Performance Workshop, Shanghai Youhug Media Co., Ltd., Tianjin Xuanwen Culture Media Co., Ltd.
Producers
Beijing Repertory Theater, Damai “Theatre Rocks”
Co-Producer
Guiyi Film and Television Culture (Beijing) Co., Ltd.
A celebration is just taking place for the Journey to the West. The gods are singing Where is the Road Ahead (the theme song of the Chinese TV drama Journey to the West) in chorus, with the sound of singing resounding to the skies.
Gold Star of Venus, LI Changgeng, the person responsible for devising all the ordeals along the journey to the West, remains outside the venue, however. As the sound of singing fades into the air, he gradually falls dispirited. His two nascent souls – Zhengnian and Zhuonian - are standing on his two sides, thinking back with him about how he was admonished several times when Monk TANG and his three disciples were still on their journey to the West. Just then, there come other gods, including the Goddess of Mercy, Manjusri Bodhisattva, Samantabhadra Bodhisattva, Goddess of Mount Li, Nezha and Lord of Earth. Every effect follows its cause, including the death of the Six-ear Macaque. Thus, a “blurry truth” seems to be revealed…
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*The cast, programme, or other performance details are subject to change and shall be based on the live performance. In the event of major adjustments - such as changes to the performance date or lead cast - please refer to the official announcements issued by the NCPA and follow the relevant procedures as instructed.
*The NCPA opens 90 minutes before performances, and 60 minutes before art education lectures and similar events. Auditorium entry begins 45 minutes before performances. For all performances and events, the Northern entrance serves as the sole public entrance. Please ensure that ticket scanning and security screening are completed prior to entry, and allow sufficient time to avoid delays.
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*If you are late, please wait quietly in the audience waiting area. Entry will be permitted under the guidance of ushers during appropriate intermissions or between movements, and you are requested to take the nearest available seat with minimal disturbance. For concerts consisting of a single piece - either for the entire performance or a complete half - late arrivals and audience who leave midway will not be admitted.
*All attendees are requested to observe proper performance etiquette. Please keep quiet and remain seated throughout the entire performance. Mobile phones should be turned off or set to silent mode, and calls should not be made in the auditorium. Photography, audio, or video recording of the performance is strictly prohibited without prior permission. The use of flashlights, including phone flashlights, is not allowed.
* After the performance, please exit the auditoriums in an orderly manner. Loitering is discouraged.