The Chinese conductor LÜ Jia has received great acclaim internationally. Born into a musical family in Shanghai, LÜ began studying piano and cello at a very young age. He later studied conducting at the Central Conservatory of Music in Beijing, under the tutelage of esteemed conductor ZHENG Xiaoying. At the age of 24, LÜ entered the University of Arts in Berlin, where he continued his studies under Professor Hans-Martin Rabenstein and Robert Wolf. The following year, he was awarded both the First Prize and Jury’s Prize at the Antonio Pedeotti International Conducting Competition in Trento, Italy, and launched his career as a conductor.

Over the past decades, he has conducted over 2,000 orchestral concerts and opera performances in Europe and America, and became the first Asian conductor to serve as the artistic director of a major Italian opera house, as well as the first Chinese conductor to lead Chicago Symphony. He has worked with important productions at the Bayersiche Staatsoper in Munich, the Deutsche Oper Berlin and La Scala in Milan, as well as opera houses in Lausanne, Turin, Rome, Naples, Verona, Venice, Florence, Frankfurt and Stuggart. He has also worked with many renowned orchestras including the Royal Concertgebouw Orchestra, Chicago Symphony Orchestra, Gewandhaus Leipzig, Munich Philharmonic, Orchestra dell’ Accademia Nazionale di Santa Cecilia, City of Birmingham Symphony Orchestra, Royal Liverpool Philharmonic, Oslo Philharmonic, Lyon National Orchestra in France, Finnish Radio Symphony, Hamburg Radio Symphony, Bamberg Symphoniker, Sydney Symphony Orchestra and many others across Europe, America and Australia.

LÜ Jia was the first Chinese conductor to record Felix Mendelssohn’s complete orchestral works, and also the only conductor so far who has recorded the complete works by the important Swedish composer Ingvar Lidholm. His interpretations of German Classical Romanticism and French Impressionists have been praised for their “extremely convincing musical interpretation" with "musical precision and perfect baton technique.” Having directed nearly 50 operas in Italy and Germany, homelands of the European opera tradition, he has also been praised by Italian music critics as “a conductor who understands Italian opera even better than the Italians themselves do”. In 2007, his performance of La Gazza Ladra at the Rossini Opera Festival in Pesaro was voted as European Opera Production of the Year. That same year, in recognition of his important contribution to musical culture in Italy, LÜ Jia was awarded the President’s Prize by President Giorgio Napolitano. In 2012, the Domingo International Vocal Competition invited LÜ Jia to serve on the jury, making him the Competition’s first-ever Chinese jury member.

In 2012, LÜ Jia was appointed Chief Conductor and Artistic Director of Opera at the National Centre for the Performing Arts (NCPA) in Beijing China. Under his musical direction, NCPA's own productions of Lohengrin, The Flying Dutchman, Othello, La Nozze di Figaro, Un Ballo in Maschera, Tosca, and many other works, have received glowing reviews from the international press. With these brand new productions aspiring to high international standards, the NCPA has become a strong contender in the world of opera, and also launched an exciting new chapter in the history of professional opera productions in China. In the meantime, the NCPA Symphony Orchestra, under LÜ's baton, has fast established itself as one of the leading new ensembles in the orchestral world in China, presenting impressive performances season after season.

In 2017, LÜ Jia has been appointed as Artistic Director of Music of National Centre for the Performing Arts (NCPA), and Music Director of China NCPA Orchestra. Before taking up his current posts in Beijing, LÜ served as Music Director at Verona Opera, Artistic Director at Symphony Orchestra of Tenerife, Music Director and Principal Conductor of Macao Orchestra, as well as Artistic Director and Chief Conductor at Trieste Opera, Symphony Orchestra of Florence, Lazio Chamber Orchestra of Rome and Norrkoping Symphony Orchestra in Sweden.

As an indispensable backbone of the NCPA’s opera production, as well as China’s opera stage, the NCPA Resident Singers, founded in October 2011, stand composed of outstanding opera artists from at home and abroad. As one of the most representative and outstanding teams for interpreting the art of opera, they play a crucial role in about 70 Chinese opera commissions and world classic operas produced by the NCPA. They are a Chinese opera ensemble that has reached the most extensive and deepest cooperation with world-class conductors, directors, singers and stage artists, world-renowned theaters and art institutions, etc. They are also one of the few artist teams managed under professional international standards. Keeping their mission firmly in mind and remaining true to their original aspiration, the singers remain committed to maintaining the high quality of Chinese opera commissions and carrying forward the spirit of Chinese culture by adding the wings of vocal art to the Chinese story. They have toured Turin, Milan, Genoa, Florence, Parma, St. Petersburg, Moscow, and China Hong Kong, Shanghai, Guangzhou, Nanjing, Wuhan, Nanchang, Urumqi and many other places across the globe.

As leading artists, the NCPA Resident Singers have participated in national cultural performances and international cultural exchanges including A Millennium Promise, a theatrical gala held at the “Belt and Road” Forum for International Cooperation, and A Great Journey, a theatrical performance for celebrating the 100^th anniversary of the founding of the CPC. They also sing for the people by giving “100 public-spirited performances” and carrying out art education activities, as a significant part of the “Drip Irrigation Project” designed to popularise elegant art and widen the Chinese audience for opera.

Upholding the tenet of “being for the people, for art, and for the world” and adhering to the principles of leadership, inheritance, innovation, compatibility and openness, the NCPA Resident Singers stand devoted to spreading the art of opera in China and initiating a dialogue with the world through elegant art.

The China National Opera House (CNOH), under the Ministry of Culture and Tourism, was established in 1952. With a wealth of talents, it is currently the largest and most competent state-level arts company in the Asian-Pacfic region.

During its 60 years of history, the CNOH has created numerous excellent productions, which have won more than 100 national awards, including the “Five-One” Project Award by Publicity Department of the CPC, former Wenhua Grand Prize by the Ministry of Culture, the Wenhua New Production Award, Wenhua Performance Award and China Dance Lotus Award. The Opera House has performed at major events such as the BRICS Summit, Boao Forum for Asia, APEC Summit, 20^th Anniversary of Hong Kong’s Return to China and the 19^th National Congress of the CPC. It has produced such world opera classics as Turandot, La Traviata, Rigoletto, and Der Ring des Nibelungen; it has also created outstanding original works such as the operas The White-Haired Girl, Ayiguli, Marco Polo, Tailors, The Red Army Is Not Afraid of the Difficult Expedition, The Red Detachment of Women, Manas, Destiny, The Road, Autumn Is the Time to Plant Wheat and the dance drama Mulan.

The CNOH has maintained its international, pioneering and open character, and has long been active in international artistic exchange activities on behalf of China. It has made its mark at the Palais des Nations of the UN, Puccini Festival, Budapest Spring Festival and Festival Ljubljana, spreading the voice of China.

The opera troupe, chorus, symphony orchestra and stage art design and production centre of the CNOH have brought together a large number of outstanding and influential singers, performers, composers, conductors, directors, playwrights and stage designers from at home and abroad.

The Beijing Symphony Orchestra was founded in October 1977. In the 1990s, the Beijing Symphony Orchestra underwent a significant reform and reorganization under the leadership of artistic director TAN Lihua. The orchestra has held annual musical events for over ten years, with 90-100 concerts given each year. Starting with the classics, the orchestra has performed nearly 1,000 musical works, including operatic music, symphonic music, chamber music and contemporary music. It has cooperated with world-renowned maestros, instrumentalists and famous international orchestras to expand its repertoire. The Forbidden City Concert Hall, situated in the imperial garden, belongs to the Beijing Symphony Orchestra.

The orchestra has worked with many famous orchestras and top musicians, such as the Berliner Philharmoniker, London Philharmonic Orchestra, Russian National Orchestra and Royal Philharmonic Orchestra; famous virtuosos include maestro Gennady Rozhdestvensky, Yevgeny Svetlanov, Christoph Eschenbach, Lawrence Foster, Thomas Sandrine, Andrew Davis, Leif Segerstam and Pavel Kogan; piano virtuosos include Lazar Berman, JustusFrantz , Jean-Yves Thibaudet and Tzimon Barto; violin virtuosos Vadim Repin, Midori Gotō, Lin Cho-Liang, Christophe Barratier and Sergey Krylov; cello virtuosos include Mischa Maisky, Lloyd Webber and Corona Crainey; viola virtuoso Yuri Bashmet; trumpeter Garber Portotzky; singers José Carreras and Jennifer Larmore.

Maestro Eschenbach said, “The Beijing Symphony Orchestra is an orchestra with high professional qualities. Their extremely strong musical apprehensiveness and performance style have impressed me deeply." Over the past decades, Beijing Symphony Orchestra made many achievements, one of which is its first international commercial tour in 2001. By far, the orchestra has given commercial performances worldwide for years.

The Beijing Symphony Orchestra shows special preference to contemporary Chinese music compositions. It has planned, participated in, commissioned and premiered new works by most of the contemporary Chinese composers, and it has premiered nearly 200 works. Since 2007, the orchestra has released eight record albums globally with EMI Records, a world-famous music label founded over a century ago.

The Beijing Symphony Orchestra has taken part in many large-scale international cultural exchange activities, and made several visits to Germany, the UK, Switzerland, Austria, Italy, Czech, Poland, Croatia, Hungary, Turkey, Slovenia, Serbia, South Korea, the USA, Canada and Montenegro. In 2001-2017, the orchestra toured Europe for eight times and won high praise from the European critics. In 2013, the orchestra made its debut in America during a two-week tour to Mexico and the USA. The Washington Post gave it a banner headline: “The Beijing Symphony Orchestra starts an Upsurge of Classical.” In February 2017, the orchestra gave a classic symphony concert at the Kennedy Center, receiving high acclaim from the audiences. It gave virtuoso performances at the Sony Centre for the Performing Arts in Toronto and National Arts Centre in Ottawa, Canada, kicking off celebrations for the 150^th anniversary of the founding of Canada. The joint performance given by the Beijing Symphony Orchestra, Ottawa Symphony Orchestra and Canada’s National Arts Centre Orchestra was the first one to be given by the three orchestras together after the founding of Canada, which is of great historical significance. In September the same year, Beijing held the second 16+1 Summit of China and CEE Capitals Mayors in Podgorica, Montenegro as well as the “Beijing Day” Event in Belgrade, Serbia. Deputy Party Secretary and Acting Mayor of Beijing CHEN Jining attended the activities with a government delegation. The Beijing Symphony Orchestra gave a symphony concert under the theme, “Tour of Friendship” at the Podgorica National Theatre and Belgrade Sava Central Theatre respectively. The orchestra signed a memorandum of understanding with the Montenegro Symphony Orchestra and Serbia Belgrade Symphony Orchestra, entering into a specified relationship with them. Also, a symphony orchestra league was formed by Beijing with its international sister cities, enriching the connotations of the second 16+1 Summit of China and CEE Capitals Mayors and “Beijing Day” Event in Belgrade, Serbia, and achieving substantial results in cooperation.

In 1994, the Beijing Symphony Orchestra started devoting itself to popularizing symphonic music on a large scale in military camps, factories and mines, schools and communities in Beijing as well as Chinese concert halls and institutions of higher education. Over the past 20 years, the orchestra has held nearly 1,000 concerts for symphony popularization for millions of spectators of different professions and ages in school canteens and halls, factories and communities, as well as at opera houses and concert halls in Beijing, Shanghai and other major cities. In the 2014 season, it gave the opening concert on campus. In 2016, it initiated an activity titled, “Capital Civic Hall” and performed “symphonic music for common people”, introducing classical music into capital citizens’ daily life.

As the 2019 season is now on, all members of the Beijing Symphony Orchestra are writing a more brilliant artistic chapter with full passion in high spirits.